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| Posted: 27 Feb 2010 05:03 PM PST  Date Released : 5 November 2009Quality : DVDRiP.XviD-QCF Info : imdb.com/title/tt1226232 Starring : Pierce Brosnan, Carey Mulligan, Aaron Johnson Genre : Drama | Romance  ---------------------------------------- Uploaded by TheHack3r Subtitle Isn't Ready[350MB-mkv](join dengan hj-split) Cara Gabung File Dengan HJ-SPLIT BACA DISINI ----------------------------------------  Download Files [] : part1 part2 part3 ----------------------------------------------------------------------------------------------------------- R E S E N S I [Indonesian] -----------------------------------------------------------------------------------------------------------Tak semua orang sanggup menanggung beban kehilangan orang yang mereka cintai. Dampak dari rasa kehilangan ini bahkan kadang-kadang jauh lebih besar dari yang mereka perkirakan. Allen Brewer (Pierce Brosnan) dan Grace Brewer (Susan Sarandon) misalnya. Keluarga mereka hampir pecah berantakan gara-gara kematian Bennett (Aaron Johnson), putra tertua mereka. Bennett meninggal dalam sebuah kecelakaan lalu-lintas. Kepergian Bennett meninggalkan duka yang dalam buat keluarga Brewer dan bukan hanya itu, hubungan Allen dan Grace pun semakin renggang dan keluarga Brewer terancam pecah berantakan karena peristiwa tragis ini. Di saat semuanya seakan sudah tidak ada harapan lagi, muncul seorang wanita yang mengaku kekasih Bennett. Wanita muda bernama Rose (Carey Mulligan) ini mengaku sedang hamil dan janin yang ada di dalam rahimnya adalah anak Bennett. Allen dan Grace tak punya pilihan lain selain menerima Rose tinggal di rumah mereka. Awalnya, kedatangan Rose ini seolah semakin memperburuk keadaan namun belakangan akhirnya terbukti bahwa justru karena Rose, keluarga Brewer bisa melewati masa-masa sulit ini. R E V I E W [English] "The Greatest" pulls off a stunning fete, drawing an audience into a comprehensive film about grief. A weekend crowd was deeply moved and challenged by this vigorously wrought film, which should do a distributor proud on the select-site circuit. Pierce Brosnan and Susan Sarandon star as the Brewers, an affluent couple whose well-ordered life is shattered when their oldest son is killed in a car crash. It's nothing that anyone can prepare for, and this pair, with their happily calibrated life, are particularly susceptible to disaster. The mother becomes obsessed with the minutiae of her son's last moments, most severely by trying to rouse the driver of the other car out of a deep coma. The father tries to remain strong, seeking sanctuary in the recesses of his professorial, mathematical mind. The horrible accident further exacerbates their younger son's feelings of alienation and inadequacy. Further upsetting the Brewers, a young woman appears and rightfully claims that she is carrying their late, idealized son's baby. In this compelling drama, writer-director Shana Feste transcends a clinical depiction of grief, which in less assured hands could have morphed into a talking-heads essay. In large part this is because of the shaded and nerve-ending performances of the cast: Sarandon is strikingly sympathetic as the brittle, obsessive mother, while Brosnan's calm rectitude smartly masks a man on the verge of imploding. Both performances are daring and brilliantly shaded. As the young woman who is pregnant by the deceased son, Carey Mulligan bestows an unlikely, beatific wisdom on the troubled family. Technical contributions are eloquent under Feste's mature hand, most splendidly Christophe Beck's luminously sad score and production designer Judy Rhee's apt depiction of the family's outer and inner core.  |
| Posted: 27 Feb 2010 05:02 PM PST  Date Released : 6 November 2009Quality : BRRip 720p Info : imdb.com/title/tt1212974 Starring : Julia Voth, Erin Cummings, America Olivo Genre : Action | Crime | Drama | Thriller ---------------------------------------- Uploaded by TheHack3r Subtitle Isn't Ready[450MB-mkv](join dengan hj-split) Cara Gabung File Dengan HJ-SPLIT BACA DISINI ---------------------------------------- Download Files [] : part1 part2 part3 ---------------------------------------- Download Files [] : part1 part2 part3 ----------------------------------------------------------------------------------------------------------- R E S E N S I [Indonesian] -----------------------------------------------------------------------------------------------------------Trixie (Julia Voth), Hel (Erin Cummings), dan Camero (America Olivo) memang bukan sembarang wanita. Meski ketiga wanita cantik ini sekilas terlihat tak beda dengan kebanyakan wanita namun pada kondisi tertentu, ketiganya bisa lebih tangguh dari pria mana pun. Malahan ketiga wanita ini tak ragu-ragu menghadapi segerombolan penjahat untuk merampas harta senilai US$200 juta milik para penjahat ini. Trixie, Hel, dan Camero rela mendatangi gurun pasir tempat persembunyian mafia untuk merampas berlian yang konon bernilai US$200 juta. Sayangnya ternyata ada sesuatu yang tak diketahui ketiga wanita ini. Dalam waktu singkat misi yang semula adalah misi gampang ini jadi tak terkendali dan posisi ketiga wanita tangguh ini jadi terancam. Ternyata ada kelompok penjahat lain yang juga datang ke gurun pasir itu meski mereka sebenarnya punya niat lain. Bukan cuma itu saja, ternyata ada salah satu dari ketiga wanita ini yang ternyata tak sepenuhnya jujur. Bisa jadi salah satu dari mereka sebenarnya malah sama sekali bukan manusia. Kini, tak hanya keselamatan mereka saja yang terancam tapi keselamatan seluruh penghuni bumi pun berada di ujung tanduk. Mampukah para wanita tangguh ini membereskan masalah yang mereka hadapi ini? R E V I E W [English] Bitch Slap is neither the worst film ever made, nor the best. Obviously, that can be said about most films, but as you walk away from Bitch Slap, the most likely and accurate review might resemble, "Well, that didn't completely suck." Clearly, it's referencing classic, B-grade women's exploitation films, chock-a-block with sexy vixens kicking ass and shedding clothes in glorious slow-motion. The problem, however, is that it's as badly crafted as it is occasionally clever, a poor man's Sin City, with no real sense of how to walk the tightrope between well-executed irony and stupid, cornball homage. That said, for all the men in the audience, there's plenty of cleavage, blood and action-packed lesbian make-out sessions; for all the women, well, there's probably something to be said about female empowerment and all-around bad-assery. The story follows three hot-as-hell women on a quest to steal $200 million in buried diamonds from a second-rate gangster. Hel, a red-headed secret agent; Camero, a tough-as-nails member of the criminal underworld; and Trixie, a vapid, yet intoxicating stripper, all must survive one day in the desert digging for the treasure that the dead man in their trunk refused to give up. Of course, just how they got there, as well as any number of bizarre twists and turns, are revealed through a series of flashbacks – some as early as the night before, and some as late as six months prior. The inclusion of these flashbacks might actually have been interesting in a more serious film, yet any hope they have of layering the narrative is diminished by the general ridiculousness of everything from the acting, to the action, to the story itself. And herein lies the rub… Merely by virtue of claiming homage to earlier exploitation films, it's difficult to say whether the hammed-up performances, or the terrible green-screen backgrounds, or any of the film's other myriad problems are intentional or merely signs of lackluster filmmaking. Subsequently, whereas a critic might be able to acknowledge the achievements of movies they otherwise dislike, one can only give Bitch Slap the benefit of the doubt while simultaneously noting that none of it actually works. In fact, the movie rarely goes far enough. With the exception of one girl-on-girl kissing scene that drags on for far too long without ever escalating, or a sequence in which the sun-baked ladies douse each other with water in the obligatory slow motion, there's virtually none of the sex, nudity, uber-bloody action or outlandish violence that characterize the old-school films featured in the opening credits. And if that's your cinematic model, then go all the way, dammit! Commit to the kind of sex and violence toward which you appear to have been building. With all that in mind, however, Bitch Slap is the kind of movie you could easily watch with three friends and a case of beer, laughing your ass off whileoogling the screen. It's good-bad, not necessarily bad-bad, but either way you slice it, Bitch Slap is bad, and if you pay anything more than the cost of a rental, you're the one being exploited.  |
| Posted: 26 Feb 2010 05:05 PM PST  Date Released : 29 October 2009Quality : DVDRip Info : imdb.com/title/tt1266029 Starring : Aaron Johnson, Kristin Scott Thomas, David T Genre : Biography | Drama | Music  ---------------------------------------- Uploaded by TheHack3r Download English Subtitle[296MB-mkv](join dengan hj-split) Cara Gabung File Dengan HJ-SPLIT BACA DISINI ---------------------------------------- Download Files [] : part1 part2 part3 ----------------------------------------  Download Files [] : part1 part2 part3 ----------------------------------------  Download Files [] : part1 part2 part3 ----------------------------------------  Download Files [] : part1 part2 part3 ---------------------------------------- ----------------------------------------------------------------------------------------------------------- R E S E N S I [Indonesian] -----------------------------------------------------------------------------------------------------------Sebelum menggapai ketenaran, masa remaja John Lennon tak jauh berbeda dengan remaja seusianya di Liverpool, Inggris. Lennon terlahir dalam sebuah keluarga kecil. Namun kasih sayang secara utuh tidak diperolehnya karena kedua orang tuanya harus berpisah sehingga dia terpaksa diasuh oleh bibinya, Mimi Smith. Di bawah asuhan bibinya, Lennon mendapat didikan yang cukup keras. Bibinya pun tak setuju dengan kegemaran Lennon yang senang bermain musik. Kisah pahit dalam hidupnya kembali harus dialami ketika sang ibu meninggal saat Lennon menginjak usia 17 tahun. Sambil terus menggeluti dunia musik, Lennon pun mulai merasakan indahnya jatuh cinta dan membina hubungan dengan sejumlah gadis. Termasuk Yoko Ono, yang akhirnya dinikahinya. R E V I E W [English] "A man who has been the indisputable favourite of his mother keeps for life the feeling of a conqueror," wrote Sigmund Freud – and Sigmund Freud was never twirled by his mum lasciviously around in a coffee bar to the novel sounds of rock'n'roll on the jukebox, and furthermore gigglingly taught by her that "rock'n'roll" actually means sex. This was the dizzyingly erotic experience of the young John Lennon – played by 19-year-old newcomer Aaron Johnson – in this account of his painful, messy teenage years in 1950s Liverpool, written by Matt Greenhalgh (the author of Anton Corbijn's Ian Curtis biopic, Control) and directed by Sam Taylor-Wood. The mother in question is the legendary Julia, played by Anne-Marie Duff, a cheerful lover of good times and rock'n'roll in all senses, who had a mysterious breakdown after John's birth and surrendered parental control to her sister, the Tchaikovsky-loving and equally legendary Aunt Mimi, played by Kristin Scott Thomas, who brought him up strictly with genteel, middle-class values. As adulthood dawns, John's increasingly rebellious discontent manifests itself in re-establishing contact with the dangerous Julia, who passionately introduces him to his musical destiny. She and John begin a strange kind of Oedipal affair, with Julia as the mistress and Aunt Mimi the wronged wife. John's story is the story of the duel between these two women – an intolerable situation for which music is the only way out. Taylor-Wood interestingly begins her film with the opening, jangling chord from A Hard Day's Night, left hanging in a protracted silence until its potential for implied menace and even tragedy has been allowed to float free. It's a witty opening, but apart from pointed references to "nowhere" in the script and in the title, to a glimpse of Strawberry Field children's home and to a schoolbook doodling of "Walrus", Greenhalgh notably avoids cute prophetic touches. However, it has to be said Julia does hang around a bit possessively backstage, to the unease of both John and the young Paul McCartney, played by Thomas Sangster. Heroically, Greenhalgh avoids gags about John letting a woman get between him and the band. It's a handsomely made film, with a very game lead performance from Johnson, hampered perhaps only by the fact that Lennon is really a rather callow figure at this stage; unlike, say, the more interesting, more grownup Lennon that Ian Hart played in Iain Softley's 1994 film Backbeat. When John shows Julia an EP record of Screamin' Jay Hawkins, she asks where he got it, and John says he swapped it with a bloke at the docks. "Swapped it for what?" Julia asks sharply, and John has no idea what she's implying. Throughout the movie, I had the sense that Lennon was really a supporting turn and the stars were Julia and Mimi, but that, frustratingly, we were only ever allowed to see them from John's lairy and semi-comprehending point of view. John has to be the focus, and part of the movie's point is his youth, his poignant inability to appreciate how much these women love him. And the film does contrive a tearful crisis in which the awful secret origins of the Mimi-John-Julia love triangle are laid bare. But for me, this finale was a little stagey, is resolved too easily and disconcertingly discloses a more intense story which has been happening, as it were, behind the movie's back. None the less, this is an accomplished feature debut from Taylor-Wood, and a satisfying follow-up to her likeable short film Love You More.  |
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