Senin, 21 Juni 2010

Situs Download Film & Software GRATIS TERBESAR Di Indonesia

Situs Download Film & Software GRATIS TERBESAR Di Indonesia

Link to Situs DOWNLOAD FILM GRATIS & SOFTWARE GRATIS TERBESAR Di Indonesia

GRADO 3

Posted: 02 Mar 2010 05:01 PM PST

Date Released : 9 July 2009
Quality : DVDRip
Info : imdb.com/title/tt1479680
Starring : Fernando Godoy, Francisco Celhay, Matías Oviedo
Genre : Comedy

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SCREEN :

TENDERNESS

Posted: 01 Mar 2010 05:05 PM PST

Date Released : 15 January 2009
Quality : BRRip.720p
Info : imdb.com/title/tt0494864
Starring : Russell Crowe, Jon Foster, Sophie Traub
Genre : Crime | Drama | Thriller

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R E V I E W [English]

The cheerless psychodrama "Tenderness" is the cinematic equivalent of a stodgy meal: leaden and labored, it sits like a brick in your stomach after the credits roll.

Australian director and Tropfest founder John Polson's sophomore outing with GreeneStreet Films (following 2002's "Swimfan") even manages to sap the charismatic Russell Crowe's customary onscreen verve. Crowe, clearly doing a favor for his mate Polson, phones in a supporting performance as a semi-retired cop on the trail of a serial killer, justifiably embarrassed at having to deliver lines like, "He's addicted to the intimacy of the kill, the last beautiful sigh in his hand."

A bunch of murky motives, dozy pacing and two unlikable central characters forced into painful plot contrivances make this low-budget indie increasingly indigestible. Crowe's marquee name won't be able to save "Tenderness" from sinking like a stone upon its Australian release this week. Lionsgate has not yet set a U.S. release date, and the film's best prospects might be on DVD.

Emil Stern's underwritten screenplay, adapted from Robert Cormier's emotionally complex novel, begins with 18-year-old Eric Poole's (Jon Foster) release from juvenile detention after serving just three years for the brutal murder of his parents.

He's greeted on the outside by two separate but equally troubled souls: Crowe's despondent Lt. Cristofuoro, treading water while his wife lies in a coma, and 16-year-old Lori (a game Sophie Traub), who has developed an obsessive crush on the teen killer but behaves more like an annoying kid sister.

Lori, a precocious motormouth with a death wish, attaches herself limpetlike when Eric embarks on a road trip through Upstate New York to rendezvous with a hottie he briefly encountered in prison. The rumple-suited Cristofuoro is on their tail, convinced that Eric is a psychopath who will kill again and determined to stop him.

We know the detective is on to something from the way Eric periodically fondles weapons as various as a hammer and a pillow while wrestling with explosions of temper, but Foster's one-note performance ensures his psyche remains frustratingly opaque.

The whole film is like this, with characters doing things merely because the script tells them to, and the sluggish narrative is propelled in fits and bursts by ham-fisted flashback reveals that do little to clarify motive.

Entire scenes struggle for relevance, most notably a daft episode in which Crowe's cop does a Keystone bumble through the woods looking for his quarry, who is hiding in plain sight.

Parts of "Tenderness" are quite beautifully photographed, but there's no tension underpinning the mood, and the clanging din of an overly insistent score merely serves as an irritant.

SERAPHIM FALLS

Posted: 01 Mar 2010 05:04 PM PST

Date Released : 26 January 2007
Quality : BRRip 720p
Info : imdb.com/title/tt0479537
Starring : Liam Neeson, Pierce Brosnan, Michael Wincott
Genre : Drama | Thriller | War | Western

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R E S E N S I [Indonesian]

Perang saudara telah berakhir namun Kolonel Morsman Carver (Liam Neeson) masih memiliki dendam untuk membunuh Gideon (Pierce Brosnan) dengan cara apa pun. Diawali oleh sebuah tembakan dan amarah, perburuan tanpa belas kasihan membawa keduanya jauh dari kesenangan dan peradaban.

Dan, Gideon veteran perang saudara Amerika di tahun 1960-an itu pun tertembak. Terlalu banyak kenangan buruk yang ia lalui selama masa perang, bahkan sesudah perang. Entah apa kesalahan Gideon, seorang kapten di masa perang, Carter memburunya sampai ke pegunungan itu. Bahkan, Carter mempekerjakan lima pembunuh bayaran untuk memburunya.

Gideon tertembak, tapi tidak meninggal dunia. Ia berlari dari kejaran Carter sampai padang pasir dan beberapa permukiman. Selama itu, ia bertemu sejumlah kelompok pengembara, dari pengembara yang menyambung hidup dengan bekerja sebagai pembangun rel kereta api sampai dengan kelompok persaudaraan Kristen.

Kehadiran kelompok-kelompok itu hanya seperti inisiasi untuk Gideon dan Carter yang masih kejar-kejaran sampai akhir film, demikian juga ketika bertemu dengan Madame Loise yang tenang, tapi menghanyutkan menjelang akhir film. Sepanjang perjalanan itu, satu per satu orang suruhan Carter terbunuh dan akhirnya dendam pun kembali pada si empunya, Carter harus mengejar Gideon sendirian.

Latar belakang masalah muncul sedikit-sedikit. Tiga tahun setelah perang usai, Gideon ingin menangkap Carter. Namun kesalahpahaman membuat anak buah Gideon membakar rumah Carter beserta istri dan kedua anaknya.

Jangan tanya siapa penjahat siapa jagoan, keduanya adalah tokoh abu-abu yang memiliki masa lalu misterius. Gideon pernah membunuh keluarga Carter, meskipun tanpa sengaja. Tapi Carter pun memiliki dosa perang yang menyebabkan Gideon memburunya.

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R E V I E W [English]

Seraphim Falls is a period western that ties your stomach into knots. The scenic backdrops are amazing. David von Ancken's film begins in the lonely mountains in deep midwinter and finishes in a mud-baked desert in the middle of nowhere.

There is little subtlety about the story, or any mythic heroes in it. Liam Neeson is a shark-eyed hunter who hires a handful of ugly mercenaries to hunt down Pierce Brosnan. He aches for a revenge which is clumsily hidden until the last reel. These two old soldiers come from different sides of the American Civil War, but Neeson's Confederate officer is still on the scent of Brosnan's Union soldier three years after the truce has been declared.

The allegory is as creaky as the plot. The edgy pleasure is to be found in the sheer brutality of the chase and the bitter struggle to survive the elements. Brosnan's withered trooper has a canny talent with a knife. He carves his way through the mercenaries paid to kill him with the occasional melancholy ac-knowledgement of his own lethal brilliance. "You're a fool boy. I told you to pass on," he says, while pulling his dagger out of a young cowboy's neck.

By the time Neeson corners his adversary in the desert the duel has taken on a supernatural pomp and circumstance. Angelica Huston trundles past the two parched gladiators like Mother Courage in a velvet ballgown. I wasn't sure whether to laugh or leave.

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